I have spent the past week making a new batch of salted-paper prints. In doing so, I mined my archives for photographs that I think will work well as salted-paper prints. The initial exposure for all of these photos were made between five and ten years ago.
Making salted-paper prints is an iterative process.
I process the image in Photoshop making educated guesses as to how the negative should look to give me a good print. Then, I make a negative and use that negative to make a small test salted-paper print on 5×7 inch paper.
I probably get things exactly right the first time about two-thirds of the time. If the print is not to my liking, I go back to the computer and make further adjustments in Photoshop. Most often these adjustments involve dodging and burning… adjusting the brightness of very localized areas of an image. It is very rare that I need to make more than a second negative.
The photograph of the dragonfly in this series is one of those rare images. After the second iteration, I was still not satisfied with the print. In this case I went back to the original file and began anew. Of course, I had the ‘education’ gleaned from the first two unsatisfactory versions and thus the third version “hit the nail on the head” as they say.
The first five images below are all 4×5 inch prints (on 5×7 inch paper). Many times, after making a successful print at that size, I will make a larger negative (6×7 1/2 inches) and print that on 8×10 inch paper. The last two prints in this series are of the larger size.
This process illustrates why I much prefer working with digital negatives for alternative processes compared to analog (film) negatives. Both ideas (making detailed adjustments to the negative and printing an image at different sizes) are possible but extremely difficult in the analog realm.
I often have thought of making even larger prints, maybe up to 11×14 inches. My light source is large enough for a 16×20 inch contact printing frame. However, when I begin to work out the logistics of the larger trays and the space they would require as well as the cost of the materials for such large prints, I run smack into the wall of reality!!!
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The fur on this squirrel portrait is amazing. I think most of the photos you selected for salted-paper prints were a good choice.
Comment by Pat Nelson — 15 August 2021 @ 12:48 PM
Another successful print session. I do hope someone will be allowing you the space to display these! The originals translated well into this type of print. “Autumn Harvest” translated well as did the Chipmunk and the Willet Feeding.
We still have to plan a shoot BEFORE your head out, right?
Comment by Joe Kennedy — 15 August 2021 @ 3:38 PM